Beatles Author/Historian Bruce Spizer On The Beatles 1964 Impact

Author Jim Monaghan

February 25th, 2024 9:00 AM

Bruce Spizer is one of the foremost authorities on the Beatles anywhere and has made a study of the impact the Beatles had in 1964.

A first-generation fan of the Fab Four, Bruce has written a number of books on the Beatles and their impact on music and pop culture.

He joined Jim Monaghan on “All Mixed Up” to talk about those three magical weeks in February 1964 which saw back-to-back-to-back appearances by the band on “The Ed Sullivan Show.”

Bruce has served as a consultant on several Beatles projects for Capitol Records, EMI, Universal Music Group and Apple Corps, Ltd., including The Capitol Albums Volumes 1 and 2, the 2009 remastered Beatles CD catalog, The U.S. Albums and the Deluxe Edition of Sgt. Pepper’s Lonely Hearts Club Band.

He wrote the essay contained in the 56-page booklet included with The Capitol Albums Volume 2. Bruce’s articles on the Beatles are featured regularly in magazines such as Beatlefan and Goldmine.

INTERVIEW EXCERPTS

Beatlemania New Orleans style

We had two AM powerhouses in New Orleans. WTX were the Boss Jocks and the WNOE Good Guys. And kids were getting fights over on the playground over what station they listened to. I listened to WTX and I wouldn’t have been caught dead listening to WNOE. That’s just the way it was for many of us, you know, and it would take a pretty horrible song to come on WTX for me to consider switching to WNOE.

The fun thing that we had in New Orleans, that 60th anniversary is coming up. It was when the Beatles played New Orleans on September 16th. And WNOE got the official sponsorship of the concert. And so, you know, they had their banners up and all that other fun stuff.

But WTX sent their very popular Boss Jocks out to the place and their disc jockeys were handing out leaflets telling them enjoy the concert and on the way home, be sure to tune in to WTX to win beetle prize packages. So I think WTX hijacked the concert from WNOE.

The Beatles 1964 impact

Well, let’s put it this way. When you take the first show, 73 million people tuned in. So the second week, we knew there would be a drastic drop off. And there was, it dropped to about 72 million. But the third show in New York had, you know, a more normal type viewership.

But the interesting thing about the second show was it was going to be in Miami Beach all long. And at the Deauville Hotel in Mitzi Gaynor was the headliner in Mitzi Gaynor remained the headliner, although the Beatles opened and closed the show.

But the audience in Miami Beach was more of a Mitzi Gaynor type crowd, shall we say, that basically a lot of the hotels in the area were owned by the same individual. And he had his hotels, gave out all these tickets to see the Beatles. And there were people who were staying primarily at his hotels.

So you had a much more adult audience. Nonetheless, I mean, they put on a good performance and people seem to enjoy it.

Beatlemania and Taylor Swift

She seems to have a more of a more multi-generational appeal right now, which I think really helps because, you know, you’ve got mothers taking their daughters to the concerts, but the mothers want to go to the concerts where I think with the Beatles, the parents dropping their kids off at the concerts was more than normal.

And when they did go, they really didn’t like it or couldn’t stand all the shouting.

So I don’t think Taylor Swift will have the same impact down the road. I think she’s done a phenomenal job now, obviously. But I don’t think, you know, like 60 years from now, people be talking about, you know, I remember the first time Taylor Swift did such and such.

And her career didn’t explode the way Beatlemania did in America. It took a little bit of a while for the Swifties and all the other things to really get rolling. So there are parallels, but there are a lot of things that are really different.

For more information on Bruce, his books, and events, go to beatle.net.

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Paul McCartney - His 51 Best Post-Beatles Songs, Ranked

• 51. “Find My Way” Paul McCartney – ‘McCartney III’ (2020)

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  Why did Paul call his 18th solo album 'III?' He felt it was a spiritual sequel to his first solo album, 1970's 'McCartney' (his first album after the Beatles broke up) and 1980's "McCartney II," his first solo album after Wings ended. Both albums were solo albums in every sense, meaning Paul played all the instruments himself. 'III," made during COVID (as Paul referred to it, during "rockdown") also saw Paul writing, performing and producing the album all on his own. "Find My Way" was the album's highlight.

• 49. “Calico Skies” – Paul McCartney – ‘Flaming Pie’ (1997)

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  A gorgeous solo acoustic piece by Paul and produced by George Martin, the song starts out as a tender love song: “It was written that I would love you/From the moment I opened my eyes/And the morning when I first saw you/Gave me life under calico skies.” But then it takes a turn and sounds like a protest song: “Long live all of us crazy soldiers/Who were born under calico skies/May we never be called to handle/All the weapons of war we despise.”

• 48. “Temporary Secretary” Paul McCartney – ‘McCartney II’ (1980)

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  A odd little bit of electro pop, which sounds like Paul was listening to a bit of Devo or Kraftwerk. It was a little ahead of its time; in fact, McCartney never performed it live until 35 years after the release of ‘McCartney II’: on May 23, 2015 at the O2 Arena in London. He kept it in the set for a about a year.
• 47. “Fuh You” – Paul McCartney – ‘Egypt Station’ (2018)

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  A collaboration with Ryan Tedder, a songwriter/producer who scored huge hits with Adele, Beyonce and Maroon 5, among others. And this is indeed a catchy pop jam. Of course, the overly cheeky title and chorus probably kept it from being a hit.

• 46. “I Lost My Little Girl” – Paul McCartney – ‘Unplugged (The Official Bootleg)’ (1991)

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  The first song Paul ever wrote. Paul performed this very Buddy Holly-ish song once -- on his ‘MTV Unplugged’ episode. He poked fun at his lyrics, and yeah, he still had some developing to do, but hey, he was only 14. “Well, her clothes were not expensive/Her hair didn't always curl/I don't know why I love her/But I love my little girl.”

• 45. “It’s So Easy” – Paul McCartney – ‘Rave On Buddy Holly’ (2011)

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  Buddy Holly was a huge influence on Paul McCartney, who would later purchase the man’s publishing catalog. McCartney and his band are clearly having a great time bashing out this garage rock gem.
• 44. “Heal The Pain” – George Michael featuring Paul McCartney – ‘Twenty Five’ (2006)

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  A song that George Michael wrote and recorded for his 1990 album ‘Listen Without Prejudice, Vol. 1’ as a tribute to McCartney and the Beatles. McCartney clearly took the compliment well, re-recording the song sixteen years later with Michael.

• 43. “Flying To My Home” – Paul McCartney – B-side to “My Brave Face” (1989)

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  The B-side to the first single from ‘Flowers In The Dirt,’ it was a good sign for fans. After a few years of comparatively weak albums, the fact that “Flying” didn’t make the cut for Paul’s new release showed that, for the first time in a while, he had an overabundance of great songs to choose from.

• 42. “Say Say Say (with Michael Jackson)” – Paul McCartney – ‘Pipes Of Peace’ (1983)

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  Fun fact: “Say Say Say” was recorded about a year before McCartney and Jackson’s “That Girl Is Mine” duet, but was released about a year after ‘Thriller.’ And while the megastars seemed to have fun hamming it up on “That Girl Is Mine,” “Say Say Say” is clearly the better song. It also had a video that kept McCartney in front of MTV audiences, along with the channel’s biggest star at the time.
• 41. “With A Little Luck” – Wings – ‘London Town’ (1978)

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  Call it soft-rock, or even yacht-rock, it was dominating radio in the late ‘70s and Paul’s “With A Little Luck” fit right in on those playlists. One of Paul’s sweetest jams, it’s another of his #1 hits. It also has one of pop’s best false endings: you think the song is wrapping up at about 3:44, but at the four minute mark, Paul brings in a funky bass line leading to a great final section of the song.

• 40. “Nineteen Hundred and Eighty Five” – Wings – ‘Band On The Run’ (1973)

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  McCartney said that he’s often written one line and started a song around it. As he said in ‘Paul McCartney: In His Own Words,’ “With 'Eleanor Rigby' I had 'picks up the rice in the church where the wedding has been.' That was the one big line that started me off on it. With this one it was 'No one ever left alive in nineteen hundred and eighty-five. That's all I had of that song for months. No one ever left alive in nineteen hundred and eighty... six?' It wouldn't have worked!"

• 39. “Helen Wheels” – Wings – ‘Band On The Run’ (1973)

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  Along with “Drive My Car,” it’s one of Paul’s best driving songs, inspired by the trips that Paul and Linda used to take in their landrover in Scotland.
• 38. “Silly Love Songs” – Wings – ‘Wings At The Speed Of Sound’ (1976)

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  Written, in part, as a rebuttal to John Lennon who said that his ex-partner just wrote “silly love songs,” it nevertheless was a #1 hit in the U.S. and featured a funky Paul bassline that allowed the song to co-exist next to disco hits on pop radio.

• 37. “Bluebird” – Wings – ‘Band On The Run’ (1973)

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  Paul’s second best “bird” song (the best, obviously, would be the Beatles’ “Blackbird”), it is still one of the highlights of Paul’s best post-Beatles album, ‘Band On The Run,’ and if offered three and half minutes to chill after the album’s opening tracks, “Band On The Run” and “Jet.”

• 36. “Wonderful Christmastime” – Paul McCartney – single (1979)

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  A goofy tweet about this song has led to a funny little “Paul Is Dead” type rumor about the lyrics. The tweet theorized that it’s about witchcraft: “The moon is right/The spirits up/We're here tonight/And that's enough.” And then someone walks in and they act like everything’s all normal: “We’re simply having a wonderful Christmastime!” Regardless of what you read into the lyrics, it’s a holiday classic and one of Paul’s best solo jams.
• 35. “Vanilla Sky” – Paul McCartney – ‘Vanilla Sky’ soundtrack (2001)

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  The title track to one of Cameron Crowe’s weirder movies; Paul only saw a bit of the film and it clearly inspired him to get a bit psychedelic -- a bit Beatlesque, dare we say -- for this two and half minute ditty.

• 34. “Lonely Road” – Paul McCartney – ‘Driving Rain’ (2001)

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  ‘Driving Rain’ marked a relaunch of sorts for McCartney; it was his first album of originals following the death of Linda, and you can hear his angst and sorrow in this song: “I tried to get over you/I tried to find something new/But all I could ever do/Was fill my time/With thoughts of you.” The album also saw him working with drummer Abe Laboriel Jr. and guitarist/bassist Rusty Anderson, who would become the core of his touring band for the album (which has been his band for every subsequent tour).

• 33. This One” Paul McCartney – ‘Flowers In The Dirt’ (1989)

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  ‘Flowers In The Dirt’ was something of a “comeback” album for Paul McCartney, following a string of mostly weak ‘80s albums (he might have also have felt a bit of a kick in the rear watching George Harrison’s massive success with his 1989 ‘Cloud Nine’ album). Many of the highlights of ‘Flowers’ were songs that McCartney co-wrote with Elvis Costello, but “This One” showed that Paul could still write amazing songs on his own.
• 32. “Twenty Flight Rock” – Paul McCartney – ‘CHOBA B CCCP’ (1988, 1991 in the US)

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  “Choba B CCCP” is Russian for “Back in the USSR,” and this 1988 album was recorded for Paul’s Russian fans. It saw him returning to the songs that the Beatles covered when they were playing bars. “Twenty Flight Rock” is an Eddie Cochran jam from 1956 movie ‘The Girl Can’t Help It’; it’s also the song that Paul played to John Lennon when the two first met. It led to Lennon inviting him to join the Quarrymen who later changed their name to -- of course -- the Beatles.

• 31. “No More Lonely Nights” – Paul McCartney – ‘Give My Regards To Broad Street’ (1984)

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  1984’s ‘Give My Regards To Broad Street’ -- the album and the film -- did not mark a high point of Paul’s career. But this song -- featuring a stellar guitar solo from Pink Floyd’s David Gilmour -- salvaged the project.

• 30. “All Things Must Pass (live)” – Paul McCartney – ‘The Concert For George’ (2003)

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  There’s a good argument to be made that George Harrison’s “All Things Must Pass” was the greatest song ever rejected by the Beatles (you can hear his original demo on ‘Beatles Anthology 3’). The song, about the transient nature of love and life (“Sunrise doesn't last all morning/A cloudburst doesn't last all day/Seems my love is up and has left you with no warning/It's not always going to be this grey”) was widely interpreted to be about the fracturing of the relationships between George, John, Paul and George. So hearing Paul perform a solo version, a few months after George’s passing is profoundly moving.
• 29. “Ebony and Ivory (with Stevie Wonder) – Paul McCartney – ‘Tug Of War’ (1982)

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  Slammed by some as being a bit too overly simplistic (with lyrics like “We all know that people are the same wherever you go/There is good and bad in everyone/And we learn to live, we learn to give each other/What we need to survive together alive”), it was nonetheless one of his biggest hits, topping the U.S. pop charts and stayed there for seven weeks. And even though it’s music and lyrics are pretty inoffensive, it still got banned in apartheid-era South Africa.

• 28. “Listen To What The Man Said” – Wings – ‘Venus And Mars’ (1975)

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  Sometimes, you just need some sax. McCartney wasn’t happy with the song until they had the idea to get a sax player on the track. Someone in the studio noted that jazz musician Tom Scott lived a half hour away. They gave him a call, he showed up, and the song went on to top the U.S. pop charts. “‘Love is fine for all we know/For all we know, our love will grow’/That's what the man said.” But who is the man? We still don’t know. Paul has said, “I like the idea that I leave it to the people to decide who, in their minds, is the man.”

• 27. “Another Day” Paul McCartney – single (1971)

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  A song that Paul wrote while he was in the Beatles, and recorded at the beginning of the ‘Ram’ sessions, “Another Day” ended up not making the album, but being released as an independent single. It was his first solo single release and went on to be a #5 hit. Over the years, people have been a bit critical of Linda’s singing, but her and Paul’s voices meld perfectly on this song.
• 26.“Uncle Albert/Admiral Halsey” Paul and LInda McCartney – ‘Ram’ (1971)

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  Paul’s first U.S. number one hit after the Beatles was more than a little reminiscent of the second side of ‘Abbey Road’; like that suite, it seems to combine small fragments of songs that seem totally separate from each other. But, as Paul was at the peak of his powers, it somehow works.

• 25. “My Valentine” – Paul McCartney – ‘Kisses On The Bottom’ (2012)

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  ‘Kisses On The Bottom’ saw Paul visiting the pre-rock and roll songbook -- backed by jazz star Diana Krall and her band -- with songs like “I’m Gonna Sit Right Down and Write Myself a Letter” and “Ac-Cent-Tchu-Ate The Positive.” But he wrote two songs in the style of that era, and this song (featuring Eric Clapton on acoustic guitar) holds up to those standards.

• 24. “Fine Line” – Paul McCartney – ‘Chaos And Creation In The Backyard’ (2005)

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  The highlight of Paul’s ‘Chaos and Creation In The Backyard’ album, produced by Radiohead collaborator, Nigel Godrich. Legend has it that after one day in the studio with his touring band, Godrich decided that Paul would have to record the whole album solo, without his mates, to deprive him of being surrounded by his usual gang. Unlike his self-titled solo albums, here he is accompanied by a string section.
• 23. “Brown Eyed Handsome Man” – Paul McCartney – ‘Run Devil Run’ (1999)

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  Paul and the Beatles always loved covering their early rock and roll idols, and Paul went back to this on ‘Run Devil Run,’ his first album following Linda’s passing. The album had a lot of iconic pre-Beatles rock and roll covers, including “Bluejean Bop,” and “All Shook Up,” but this zydeco-infused accordion-heavy take on Chuck Berry’s classic was the highlight of the set.

• 22. “That Day Is Done (demo)” – Paul McCartney and Elvis Costello – ‘Flowers In The Dirt’ outtakes (1989, released in 2017)

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  Like some of his peers -- notably, Bob Dylan and the Rolling Stones -- the late ‘80s saw Paul get his mojo back. He was no longer chasing trends, and instead getting back to basics after a few albums that Brits might refer to as “naff.” Paul did this with the help of Elvis Costello, a little more than a decade into his own career. Elvis helped Paul reckon with his past as a Beatle, and reminded him what it was like to have a solid co-writer. The version of “That Day Is Done” on ‘Flowers In The Dirt’ is solid, but the demo -- featuring just Paul and Elvis singing over a piano -- is even better. It’s available on the expanded ‘Flowers In The Dirt’ box set.

• 21. “Four Five Seconds” Rihanna, Kanye West and Paul McCartney – single (2015)

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  More than fifty years after Beatlemania, Paul was still writing hits for teenagers, and he didn’t really change his style too much. “Four Five Seconds” was mostly Kanye West and Rihanna singing over Paul’s acoustic guitar playing; the three were co-writers on the song. And when the song dropped, it apparently turned some younger listeners on to Paul, with some tweeting that Kanye gave “some guy” Paul McCartney “his big break.” Paul surely got a laugh from that, and he still performs the song live.
• 20. “New” – Paul McCartney – ‘New’ (2013)

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  ‘New,’ the album, paired Paul with a bunch of hot producers; on this song, he worked with Mark Ronson, who was well known for producing Amy Winehouse and Adele. (Fun fact: his stepfather is Mick Jones of Foreigner!) “New” was a pop song with an optimistic feel that recalled his early days in the Fab Four.

• 19. “Cut Me Some Slack” – Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear – ‘Sound City: Reel To Reel’ (2013)

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  Collaborating on this one-off song with the surviving members of Nirvana, Paul got in touch with his Little Richard/Jerry Lee Lewis screaming voice. Leading the band and playing a weird “cigar-box guitar,” this is one of the heaviest songs Paul has ever done. More than a novelty, it won the quartet the Best Rock Song Grammy in 2014.

• 18. “You Want Her Too (with Elvis Costello)” – Paul McCartney – Flowers In The Dirt (1989)

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  A cooler take on McCartney’s duet with Michael Jackson, “That Girl Is Mine.” Elvis takes the mic during the song and you can hear him pushing Paul to get a bit edgier here. It’s easy to hear Costello’s effect on the album when you listen to this song.
• 17. “Nothing Too Much Just Out Of Sight” – The Fireman – ‘Electric Arguments’ (2008)

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  When Paul wants to create music a bit ediger or weirder than what he does on his solo albums, he reactivates his “Fireman” project: it’s a partnership between Paul and Youth, aka Martin Glover, a member of industrial punk band Killing Joke, who has produced the Verve and Bananarama, among others. Their early work was more trancey, but on their third album, ‘Electric Arguments,’ they got a bit more rocking. “Nothing Too Much Just Out Of Sight” is, in fact, one of McCartney’s most rocking songs, and one of the few Fireman jams to make it to a McCartney setlist.

• 16. “Veronica” – Elvis Costello (co-written by Paul McCartney) – ‘Spike’ (1989)

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  One of the songs from the McCartney/Costello union that ended up on Elvis’s album; Paul plays bass here. In fact, it’s his iconic Hofner bass guitar, which he hadn’t played in years. Elvis insisted Paul use it during their sessions, and he’s played it on all of his tours since then.

• 15. “Something (live)” – Paul McCarntey and Eric Clapton – ‘The Concert For George’ (2003)

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  OK, we said that this album would be about Paul’s post-Beatles songs. But while “Something” was a Beatles song, it was written and sung by George Harrison. This version sees Paul starting the song solo, just singing and playing ukulele -- an instrument that Harrison loved. After a verse, the band -- including George’s friend/rival Eric Clapton and Ringo on drums -- joins in. McCartney often does the solo uke version live but having so many of George’s friends on this version just gave it even more gravitas.
• 14. “Here Today (live)” – Paul McCartney – ‘Back In The U.S.’ (2002)

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  The original version of this was from 1982’s ‘Tug Of War,’ and was a letter to John Lennon, who’d been murdered two years earlier. But this solo acoustic version, recorded two decades later, has even more weight coming just a few months after George Harrison’s death as Paul -- and all of us -- realized that only half of the Beatles still walked the earth.

• 13. “Dance Tonight” – Paul McCartney – ‘Memory Almost Full’ (2007)

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  Much of ‘Memory Almost Full’ was done solo, a la ‘McCartney,’ ‘McCartney II’ and, later, ‘McCartney III.’ This one features Paul playing mandolin and singing, as well as guitar, bass, keyboards, percussion and drums. This one, inspired by watching his young daughter Beatrice dancing, is one of his best songs of this millennium.

• 12. “Try Not To Cry” – Paul McCartney – ‘Run Devil Run’ (1999)

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  After Linda’s tragic death in 1998, Paul decided to get back to basics on ‘Run Devil Run,’ an album of pre-Beatles rock and roll covers. But he also wrote two new songs: this one saw Paul coming to terms with life after Linda. He could’ve written a ballad, but this song is a rocker that shows defiance in the face of misery. It’s one of Paul’s most underrated gems.
• 11. “Let Me Roll It” – Wings – ‘Band On The Run’ (1973)

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  “You gave me something, I understand/You gave me loving in the palm of my hand.” Sometimes simple lyrics get the idea across: “Let me roll it/Let me roll it to you” became an almost too obvious stoner anthem.

• 10. “Junior’s Farm” – Paul McCartney & Wings – single (1973)

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  After “Give Ireland Back To The Irish” in ‘71, McCartney mostly avoided politics in his music, but he did obliquely reference Watergate in this song, singing, “At the Houses of Parliament/Everybody's talking about the President/We all chip in for a bag of cement.” Was Paul insinuating that they’d “take care” of him, mob-style, by fitting him for a pair of “concrete shoes?” Paul still hasn’t said. Whatever it was about, it’s one of Paul’s most rocking solo jams.

• 9. “Take It Away” – Paul McCartney – ‘Tug Of War’ (1982)

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  In the ‘80s, classic artists needed to get on MTV to find a new audience, and this single did the job for Paul; it was ubiquitous on the Music Television channel in its early days. The song was about a band trying to get signed, something Paul probably hadn’t thought about much for about twenty years at that point. The song and the video reunited Paul with Ringo Starr and George Martin.
• 8. “My Brave Face” – Paul McCartney – ‘Flowers In The Dirt’ (1989)

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  The opening track and first single from ‘Flowers In The Dirt,’ this song announced that Paul was back and it was a bit edgier than what he’d done on his past few releases; it was one of the best songs of McCartney’s songwriting partnership with Elvis Costello. The lyrics, about a newly-single guy, would take on new and haunting meaning a few years later, after LInda’s tragic passing.

• 7. “That Would Be Something” – Paul McCartney – ‘McCartney’ (1970)

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  ‘McCartney’ opens with a 44 second tune called “The Lovely Linda,” but the real opening track is “That Would Be Something,” which really set the stage for what was very much a solo album. It’s just Paul singing, playing acoustic guitar and bass, along with a tom tom drum and a cymbal. He also adds vocal percussion. It was surprising to hear the guy who led the Beatles through productions like “Let It Be” and “The Long And Winding Road” from the ‘Let It Be’ album, doing such a lo-fi recording with such simple lyrics. But “That Would Be Something” was more delta blues than arena rock and still holds up as one of Paul’s coolest songs.

• 6. “Coming Up” – Paul McCartney – ‘McCartney II’ (1980)

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  Paul’s second solo album, ‘McCartney II,’ came after Wings ran its course. Like 1970’s ‘McCartney,’ it saw Paul playing all the instruments and doing nearly all of the vocals. But it was, of course, a different musical climate; “Coming Up” was Paul’s nod to disco. The song, apparently, was a favorite of John Lennon’s as well. Paul told ‘Billboard’ that he’d heard that “Coming Up” inspired his old songwriting partner to get back into recording after a hiatus.
• 5. “Every Night” – Paul McCartney – ‘McCartney’ (1970)

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  By 1970, the rockers of the ‘60s were approaching middle age, but few of them were able to express any happiness about it in their music. Praising your wife in song, after all, just didn’t seem cool. McCartney, the only Beatle capable of doing a full solo album with no assistance (he played guitar, bass, keyboards and drums on the album) didn’t have to worry about looking uncool to bandmates as he wrote an ode to his solid relationship with LInda.

• 4. “Jet” – Wings – ‘Band On The Run’ (1973)

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  What is “Jet” about? McCartney has said that it’s about a puppy that they had at the time, although that doesn’t explain the “suffragette” line. In ‘Paul McCartney: In His Own Words,’ he said, “I make up so much stuff. It means something to me when I do it, and it means something to the record buyer, but if I'm asked to analyze it I can't really explain what it is. 'Suffragette' was crazy enough to work.”

• 3. “Band On The Run” – Wings – ‘Band On The Run’ (1973)

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  Paul was an icon in the ‘60s with the Beatles, but as a solo artist, he also fit in perfectly on radio playlists in the ‘70s. The title track to Wings’ best album was a multi-part epic (a la Yes and Emerson, Lake and Palmer) that had elements of funk-rock *and* country-rock. He somehow fit all of this into a song that was barely longer than five minutes.
• 2. “Maybe I’m Amazed (live)” – Wings – ‘Wings Over America’ (1976)

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  The original version came from Paul’s solo debut, ‘McCartney,’ and was inspired by Linda. Paul wrote the song as the Beatles were disintegrating, and as lovely as that intimate solo debut was, “Maybe I’m Amazed” benefitted from the full-band treatment. Indeed, it was the live version that became a top 10 hit, and it was one of the best stadium ballads of the ‘70s. It’s still a high point of Paul’s solo shows today.

• 1. “Live And Let Die” – Paul McCartney and Wings – ‘Live And Let Die (soundtrack)’ (1973)

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  It’s the best James Bond theme song ever, and also Paul’s best post-Beatles moment. The song, which reunited Paul with Beatles producer George Martin, combines Paul’s lovely balladry with some laser-and-pyro-friendly arena rock. He also succinctly summarizes 007’s job thusly: “When you got a job to do/You got to do it well/You got to give the other fellow HEEEEEELLLLLL!!!” The song got a more sinister update nearly two decades later when Guns N’ Roses covered it for 1991’s Use Your Illusion I.

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Author Jim Monaghan

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• All Mixed Up

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